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The Conversion Of St Paul, Oil by Caravaggio - Michelangelo Merisi (1571-1610, Italy)

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Hand made oil painting
 
 
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   22 "   
 
  Caravaggio - Michelangelo Merisi - Baroque - Scene -  
27 " 
 
   
 
 
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We recommend Linen due to its strength and resistance to decay. Because the Linen is woven from flax, the weave of the Linen shows through the many layers of paint thereby producing a distinctive, authentic look. Because Linen retains its own natural oils, the canvas is more flexible and has a more natural looking weaved finish than Cotton will produce. Mural artworks will be painted on light cotton canvas.

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  • Oil Painting
  • OilPainting [{W-BRUE-5ZKBTU}]
  • PROMOTION(RHJKDBY)
  • Linen
  • Dim(22 x 27 inch (56 x 69 cm))
  • Caravaggio - Michelangelo Merisi-The Conversion Of St Paul
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  • Total: 209 USD

 

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Hand made oil painting
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OilPainting [{W-BRUE-5ZKBTU}]-PROMOTION(RHJKDBY)-Linen-Dim(22 x 27 inch (56 x 69 cm))-Caravaggio - Michelangelo Merisi-The Conversion Of St Paul
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The Conversion of Saint Paul (or Conversion of Saul), by the Italian painter Caravaggio, is housed in the Odescalchi Balbi Collection of Rome. It is one of at least two paintings by Caravaggio of the same subject, the Conversion of Paul. Another is The Conversion of Saint Paul on the Road to Damascus, in the Cerasi Chapel of Santa Maria del Popolo. The painting, together with a Crucifixion of Saint Peter, was commissioned by Monsignor (later Cardinal) Tiberio Cerasi, Treasurer-General to Pope Clement VIII, in September 1600. According to Caravaggio's early biographer Giovanni Baglione, both paintings were rejected by Cerasi, and replaced by the second versions which hang in the chapel today. The dates of completion and rejection are determined from the death of Cerasi in May 1601. Baglione states that the first versions of both paintings were taken by Cardinal Giacomo Sannessio, but another early writer, Giulio Mancini, says that Sannessio's paintings were copies. Nevertheless, most scholars are satisfied that this is the first version of the Conversion of Paul. The painting records the moment when Saul of Tarsus, on his way to Damascus to annihilate the Christian community there, is struck blind by a brilliant light and hears the voice of Christ saying, "Saul, Saul, why persecutest thou me?...And they that were with me saw indeed the light, and were afraid, but they heard not the voice..." (Acts 22:6-11). Elsewhere Paul claims to have seen Christ during the vision, and it is on this basis that he grounds his claim be recognised as an Apostle: "Have I not seen Jesus Christ our Lord?" (I Corinthians 9:1).
Caravaggio - Michelangelo Merisi
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