+ 1 (707) 877-4321
+ 33 977-198-888
English
Français
Deutsch
Italiano
Español
Русский
中国
Português
日本

Portfolio >> Andrea Del Sarto

FREE Shipping. FREE Returns All the time. See details.

 

  • Andrea Del Sarto - Figures behind a Balustrade (Study)
  • Andrea Del Sarto - Head of a Young Man
  • Andrea Del Sarto - Last Supper (study)
  • Andrea Del Sarto - Portrait of the Artist's Wife
  • Andrea Del Sarto - Baptism of the People
  • Andrea Del Sarto - Lamentation of Christ
  • Andrea Del Sarto - Portrait of a Woman with a Basket of Spindles
  • Andrea Del Sarto - Head of a Man in Profile Facing Left
  • Andrea Del Sarto - The Sermon of John the Baptist
  • Andrea Del Sarto - a Kneeling Figure with a Sketch of a Face (Study)
  • Andrea Del Sarto - Assumption of the Virgin 1
  • Andrea Del Sarto - Saint John the Baptist
  • Andrea Del Sarto - The Last Supper
  • Andrea Del Sarto - Drapery Study
  • Andrea Del Sarto - Triumph of Caesar
  • Andrea Del Sarto - Baptism of the People (Study)
  • Andrea Del Sarto - Madonna and Child with St Elisabeth, the Infant St John, and Two Angels
  • Andrea Del Sarto - Madonna and Child with Sts Catherine, Elisabeth and John the Baptist
  • Andrea Del Sarto - Tobias and the Angel with St Leonard and Donor
  • Andrea Del Sarto - Virgin and Child in Glory with Six Saints
  • Andrea Del Sarto - Disputation on the Trinity
  • Andrea Del Sarto - Portrait of a Lady with a Book
  • Andrea Del Sarto - Holy Family (Barberini)
  • Andrea Del Sarto - Holy Family
  • Andrea Del Sarto - Self-portrait
  • Andrea Del Sarto - Miraculous Cure by Relics of Filippo Benizzi
  • Andrea Del Sarto - Assumption of the Virgin (Poppi Altarpiece)
  • Andrea Del Sarto - Madonna and Child with the Young St John
 
All 55 Artworks from Andrea Del Sarto





Andrea del Sarto (1486/87 – 1530/1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded during his lifetime as an artist senza errori ("without errors"), his renown was eclipsed after his untimely death by that of his contemporaries, Leonardo da Vinci, Michelangelo, and Raphael.


Andrea was born Andrea d'Agnolo di Francesco di Luca di Paolo del Migliore in Gualfonda, close to Florence, on 16 July in either 1486 or 1487, one of four children. Since his father, Agnolo, was a tailor (sarto), he became known as "del Sarto" ("tailor's son").Since 1677 some have attributed the surname Vannucchi with little documentation. By 1494 Andrea was apprenticed to a goldsmith, and then to a woodcarver and painter named Gian Barile, with whom he remained until 1498. According to Vasari, he then apprenticed to Piero di Cosimo, and later with Raffaellino del Garbo (Carli).


Andrea and an older friend Franciabigio decided to open a joint studio at a lodging together in the Piazza del Grano. The first product of their partnership may have been the Baptism of Christ for the Florentine Compagnia dello Scalzo, the beginning of a monochrome fresco series. By the time the partnership was dissolved, Sarto's style bore the stamp of individuality. It "is marked throughout his career by an interest, exceptional among Florentines, in effects of colour and atmosphere and by sophisticated informality and natural expression of emotion."


Andrea married Lucrezia (del Fede), widow of a hatter named Carlo, of Recanati, on 26 December 1512. Lucrezia appears in many of his paintings, often as a Madonna. However, Vasari describes her as "faithless, jealous, and vixenish with the apprentices."[5] She is similarly characterized in Robert Browning's poem.


Andrea died in Florence at age 43 during a pandemic of Bubonic Plague in either 1530 or 1531. He was buried unceremoniously in the church of the Servites. In Lives of the Artists, Vasari claimed Andrea received no attention at all from his wife during his terminal illness. However, it was well-known at the time that plague was highly contagious, so it has been speculated that Lucrezia was simply afraid to contract the virulent and frequently-fatal disease. If true, her caution was well-founded, as she survived her husband by 40 years


From 1509 to 1514 the brotherhood of the Servites employed Sarto, Franciabigio, and Andrea Feltrini in a programme of frescoes at Basilica della Santissima Annunziata di Firenze. Sarto completed three frescoes in the portico of the Servite convent illustrating the Life of Filippo Benizzi,  a Servite saint who died in 1285. He executed them rapidly, depicting the saint sharing his cloak with a leper, cursing some gamblers, and restoring a girl possessed with a devil. These paintings met with respect, the correctness of the contours being particularly admired, and earned for Sarto the nickname of "Andrea senza errori" (Andrea the perfect). After these, the painter depicted in two frescoes the death of S. Filippo and then children cured by touching his garment; all five works were completed before the close of 1510. The Servites engaged him to do two more frescoes in the forecourt of the Annunziata: a Procession of the Magi (or Adoration, containing a self portrait) finished in 1511. Towards 1512 he painted an Annunciation in the monastery of S. Gallo and a Marriage of Saint Catherine (Dresden).

By 1514 Andrea had finished his last two frescoes, including his masterpiece, the Birth of the Virgin, which fuses the influence of Leonardo, Ghirlandaio and Fra Bartolomeo. By November 1515 he had finished at the Scalzo the Allegory of Justice and the Baptist preaching in the desert, followed in 1517 by John Baptizing, and other subjects.

Before the end of 1516 a Pietà of his composition, and afterwards a Madonna, were sent to the French Court. This led to an invitation from François I, in 1518, and he journeyed to Paris in June of that year, along with his pupil Andrea Squarzzella, leaving his wife, Lucrezia, in Florence.

According to Giorgio Vasari, Andrea's pupil and biographer,Lucrezia wrote to Andrea and demanded he return to Italy. The King assented, but only on the understanding that his absence from France was to be short. He then entrusted Andrea with a sum of money to be expended in purchasing works of art for the French Court. By Vasari's account, Andrea took the money and used it to buy himself a house in Florence, thus ruining his reputation and preventing him from ever returning to France. The story inspired Robert Browning's poem-monologue "Andrea del Sarto Called the 'Faultless Painter'" (1855), but is now believed by some historians to be apocryphal.

In 1520 he resumed work in Florence, and executed the Faith and Charity in the cloister of the Scalzo. These were succeeded by the Dance of the Daughter of Herodias, the Beheading of the Baptist, the Presentation of his head to Herod, an allegory of Hope, the "Apparition of the Angel to Zacharias" (1523), and the monochrome Visitation. This last was painted in the autumn of 1524, after Andrea had returned from Luco in Mugello, whence an outbreak of bubonic plague in Florence had driven him and his family. In 1525 he returned to paint in the Annunziata cloister the Madonna del Sacco, a lunette named after a sack against which Joseph is represented propped. In this painting the generous virgin's gown and her gaze indicate his influence on the early style of pupil Pontormo.

In 1523 Andrea painted a copy of the portrait group of Pope Leo X by Raphael. (Andrea's copy is now in the Naples Museum, while the original remains at the Pitti.) The Raphael painting was owned by Ottaviano de' Medici, and requested by Federico II Gonzaga, Duke of Mantua. Unwilling to part with the original, Ottaviano retained Andrea to produce a copy, which he passed to the Duke as the original. So faithful was the imitation that even Giulio Romano, who had himself manipulated the original to some extent, was completely fooled; and, on showing the copy years afterwards to Vasari, who knew the truth, he could only be convinced that it was not genuine when a private mark on the canvas was pointed out to him by Vasari.

Andrea's final work at the Scalzo was the Birth of the Baptist (1526). In the following year he completed his last important painting, a celebrated Last Supper at S. Salvi, near Florence, in which all the personages appear to be portraits.


A number of his paintings were considered to be self-portraits. A Portrait of a Young Man in the National Gallery, London was formerly believed to be a self-portrait[8], as was the Portrait of Becuccio Bicchieraio in National Gallery of Scotland[9], but both are now known not to be. There is a self-portrait at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one.

[Biography - Andrea Del Sarto - 9Ko]
Andrea del Sarto de son vrai nom Andrea d'Agnolo di Francesco di Luca ou même Andrea d'Agnolo di Francesco di Luca di Paolo del Migliore Vannucchi (et en français André del Sarte au xixe siècle) (Gualfonda près de Florence, 1486 - Florence, 1531), est un peintre italien maniériste de la Haute Renaissance. Biographie Il est un des quatre fils d'un t...
[Biography - Andrea Del Sarto - 7Ko]
Andrea del Sarto , eigentlich Andrea d’Agnolo di Francesco di Luca di Paolo del Migliore, (* 16. Juli 1486 in Gualfonda, Florenz &dagger 21. Januar 1530 in Florenz) war ein Maler der italienischen Renaissance. Del Sarto, Sohn des Schneiders Angelo di Francesco, weshalb er den Beinamen Sarto (deutsch Schneider) erhielt, kam zu einem Goldarbeiter i...
[Biography - Andrea Del Sarto - 3Ko]
Andrea del Sarto - pseudonimo di Andrea d'Agnolo di Francesco di Luca di Paolo del Migliore Vannucchi (Firenze, 16 luglio 1486 - Firenze, 21 gennaio 1530) è stato un pittore italiano.« s'egli fu d'animo basso nelle azzioni della vita, cercando contentarsi, piacendoli il comerzio delle donne, egli per questo non è che nell'arte non fusse e d'ingegno...
[Biography - Andrea Del Sarto - 15Ko]
Andrea del Sarto (Florencia, 16 de julio de 1486 - 21 de enero de 1531), fue un pintor italiano de estilo manierista. Biografía y carrera Debe su apodo «del sarto» a que era hijo de un costurero («sarto» en italiano) llamado Agnolo di Francesco. Su madre, Costanza di Silvestro, también era hija de un costurero. A los siete años Andrea pasa a ser ap...
[Biography - Andrea Del Sarto - 8Ko]
Андреа дель Сарто (1486/87 - 1530/1531) был итальянский художник из Флоренции, чья карьера процветает во время Высокого Возрождения и раннего маньеризма. Хотя высоко ценится при жизни художника Senza errori ("без ошибок"), его слава затмила после его безвременной смерти, что из его современников, Леонардо да Винчи, Микеланджело и Рафаэля. Андреа ро...
[Biography - Andrea del Sarto - 8Ko]
安德烈DEL Sarto(1486年至1487年 - 一千五百三十一分之一千五百三十零)是意大利画家来自佛罗伦萨,他的职业生涯在蓬勃发展的文艺复兴和早期矫饰。虽然作为一个艺术家SENZA errori(“没有错误”)在他的一生,高度,他的名声后,他的英年早逝,他的同时代人,达芬奇,米开朗基罗,和拉斐尔是黯然失色。 安德烈安德烈德Agnolo迪弗朗切斯科DI卢卡迪蒙特保罗在Gualfonda DEL米利出生,靠近佛罗伦萨,7月16日,在1486或1487,四个孩子之一。由于他的父亲,Agnolo,是一个裁缝(sarto),他被称为“DEL Sarto”(“裁缝的儿子”)自1677归咎于文档很少的姓氏Vannucchi。到1494安德烈金匠学徒,然后的木雕和画家命名为吉安Barile,与他保持直...
[Biography - Andrea del Sarto - 4Ko]
Andrea del Sarto (1486-1487 - 1530 / 1531) foi um pintor italiano de Florença, cuja carreira floresceu durante a Alta Renascença e início do maneirismo. Apesar de altamente considerados durante a sua vida como um artista senza errori ("sem erros"), sua fama foi eclipsada após a sua morte prematura por que de seus contemporâneos, Leonardo da Vinci, ...
[Biography - Andrea del Sarto - 9Ko]
アンドレアデルサルト(87分の1486〜1531分の1530)は、キャリア盛期ルネサンスと初期マニエリスムの間に栄えたフィレンツェ、からイタリアの画家。非常に芸術家センツァerrori("エラーなし")と彼の一生の間にみなさかかわらず、彼の名声は、レオナルドダヴィンチ、ミケランジェロ、ラファエル、同時代のことで彼の早死にの後に食された。 アンドレアは、四人の子供の一つ、1486または1487のいずれかで7月16日、フィレンツェに近い、GualfondaのアンドレアデAgnoloディフランチェスコディルカディパオロデルミリオレに生まれた。彼の父、Agnoloは、テーラー(サルト)だったので、彼は("仕立屋の息子")"デルサルト"と呼ばれるようになった。1677年以来いくつかは少しドキュメンテー...
[Biography - Andrea del Sarto - 5Ko]
EMAIL- EMAIL- EMAIL- EMAIL- EMAIL- EMAIL