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  • Claudio Coello - King Charles II
  • Claudio Coello - La Adoración de la Sagrada Forma
  • Claudio Coello - Portrait of a lady
  • Claudio Coello - St Dominic of Guzman
  • Claudio Coello - San Antonio de Padua
  • Claudio Coello - San Francisco de Asís
  • Claudio Coello - St Dominic
  • Claudio Coello - La Virgen y el Niño adorados por San Luis, rey de Francia
  • Claudio Coello - Charles II of Spain on Horseback
  • Claudio Coello - La Anunciación
  • Claudio Coello - Vision of St. Anthony of Padua
  • Claudio Coello - Jesús niño en la puerta del templo
  • Claudio Coello - Portrait d'homme
  • Claudio Coello - The Triumph of St Augustine
  • Claudio Coello - Jubilé de la Portioncule
  • Claudio Coello - Tránsito de la Magdalena
  • Claudio Coello - La Sagrada Forma
  • Claudio Coello - Saint Michael Triumphing over Evil
  • Claudio Coello - Santa Rosa de Lima
  • Claudio Coello - Holy Family
  • Claudio Coello - La Virgen y el Niño entre las virtudes teologales y santos
  • Claudio Coello - Vierge à l'Enfant avec les Vertus théologales, entourée de saints
  • Claudio Coello - Etude pour une figure de moine hiéronymite 1
  • Claudio Coello - Etude pour une figure de moine hiéronymite
  • Claudio Coello - El padre Cabanillas
  • Claudio Coello - Doña Mariana de Austria, reina de España
  • Claudio Coello - Don Fernando de Valenzuela, Marqués de Villasierra
All 27 Artworks from Claudio Coello

Claudio Coello (1642–1693) was a Spanish Baroque painter. Influenced by many other artists, including Diego Velázquez who was also of Portuguese descent, Coello is considered the last great Spanish painter of the 17th century.

The son of Faustino Coello, a famous Portuguese sculptor, he was a court painter for Charles II. He worked on many churches and public buildings in Madrid, with his most famous work being in the sacristy of El Escorial, which is filled with portraits of priests and courtiers.

Claudio Coello was of Portuguese parents, hut was born at Madrid in 1642. He was there instructed in the art by Francisco Rizi, and executed while yet in that school an altar-piece for San Placido at Madrid. His acquaintance with the court painter, Juan Careño, procured him the permission to visit the royal collection, where he made his greatest advance by studying the works of Titian, Rubens, and Van Dyck. His friendship with Josef Donoso, under whom he studied at Rome, was not less advantageous for him. In conjunction with that artist he painted frescoes at Madrid and Toledo, and executed the Triumphal Arch for the entrance of the Queen, Maria Louisa of Orleans. By these paintings he became well known, and was employed by the Archbishop of Saragossa in 1683. He was made painter to Philip IV, by whom he was employed in the Escorial.

Coello never travelled out of Spain, and his extraordinary talents are only known in that country. He was the last Spanish painter of eminence, as from the time that Luca Giordano was summoned to Spain, the art sank gradually to its decay. Many excellent specimens of his ability are to be seen in the churches and convents at Madrid, Saragossa, and Salamanca. But his principal work is the famous altar-piece in the sacristy of San Lorenzo, in the Escorial, representing the 'Adoration of the Miraculous Host.' It is an immense composition, and occupied the painter seven years. In the crowd of personages that form the procession, are no less than fifty portraits, including those of the king and the principal persons of the court: it is painted with the utmost precision, yet in a bold and masterly style, and there is a majestic solemnity in the arrangement of the whole, which suits well to the grandeur of the subject. It is a very extraordinary performance, and holds its place even by the side of the works of Titian and Rubens. The preference which was given to Luca Giordano, who came to Madrid in 1692, in painting the grand staircase in the Escorial, mortified Coello so much that he died of vexation at Madrid in 1693.

Coello etched three plates, viz. : — 'Christ on the Cross, with the Virgin, St. Augustine, and St. Monica,' and the portraits of Charles II and his Mother. He was the instructor of Sebastian Muñoz and Teodoro Ardmans.
[Biography - Claudio Coello - 4Ko]
Claudio Coello (1642-1693) était un peintre baroque espagnol. Influencé par de nombreux autres artistes, y compris Diego Velázquez qui était aussi d'origine portugaise, Coello est considéré comme le dernier grand peintre espagnol du 17e siècle. Le fils de Faustino Coello, un célèbre sculpteur portugais, il était un peintre de la cour de Charles II....
[Biography - Claudio Coello - 5Ko]
Claudio Coello (1642-1693) war ein spanischer Maler des Barock. Beeinflusst von vielen anderen Künstlern, darunter Diego Velázquez, der auch von portugiesischer Abstammung war, ist Coello der letzten großen spanischen Maler des 17. Jahrhunderts betrachtet. Der Sohn von Faustino Coello, einem berühmten portugiesischen Bildhauer, er war ein Hofmaler ...
[Biography - Claudio Coello - 4Ko]
Claudio Coello (1642-1693) è stato un pittore barocco spagnolo. Influenzata da molti altri artisti, tra cui Diego Velázquez che era anche di origine portoghese, Coello è considerato l'ultimo grande pittore spagnolo del 17 ° secolo. Il figlio di Faustino Coello, un famoso scultore portoghese, era un pittore di corte di Carlo II. Ha lavorato in m...
[Biography - Claudio Coello - 4Ko]
Claudio Coello (1642-1693) fue un pintor español del Barroco. Bajo la influencia de muchos otros artistas, incluyendo a Diego Velázquez, que también era de origen portugués, Coello es considerado el último gran pintor español del siglo 17. El hijo de Faustino Coello, un famoso escultor portugués, era un pintor de la corte de Carlos II. Trabajó en m...
[Biography - Claudio Coello - 4Ko]
Клаудио Коэльо (1642-1693) был художником испанского барокко. Под влиянием многих других художников, в том числе Диего Веласкеса, который был также португальского происхождения, Коэльо считается последним великим испанским художником 17 века. Сын Фаустино Коэльо, знаменитый португальский скульптор, он был придворным художником для Карла II. Он рабо...
[Biography - Claudio Coello - 4Ko]
克劳迪奥Coello(1642年至1693年)是西班牙巴洛克风格的画家。受许多其他艺术家,包括迭戈委拉斯开兹是葡萄牙后裔也的影响,Coello被认为是17世纪最后一个伟大的西班牙画家。 福斯蒂诺Coello,葡萄牙著名雕塑家的儿子,他是为查尔斯二世的宫廷画家。他曾在马德里的许多教堂和公共建筑,与厄尔尼诺埃斯科里亚尔的圣器收藏室,这是充满祭司和臣子的画像,他最有名的工作。 克劳迪奥Coello葡萄牙父母,小屋是出生在马德里,于1642年。有指示,他在艺术旧金山Rizi,并在学校执行,而尚未在马德里圣普拉西坛一块。他的相识与宫廷画家,胡安Careño,采购他的权限访问的皇家收藏,在那里他通过学习提香,鲁本斯,凡戴克的作品,他最大的提前。他的友谊与约瑟夫多诺索,根据他在罗马学习,不是对他不太有利。...
[Biography - Claudio Coello - 2Ko]
Claudio Coello (1642-1693) foi um pintor barroco espanhol. Influenciada por muitos outros artistas, incluindo Diego Velázquez, que também era descendente de Português, Coello é considerado o último grande pintor espanhol do século 17. O filho de Faustino Coello, um famoso escultor Português, ele era um pintor da corte de Charles II. Ele trabalhou e...
[Biography - Claudio Coello - 4Ko]
クラウディオコエーリョ(1642-1693)はスペインのバロック画家。ポルトガルの降下もいたディエゴベラスケスを含む他の多くのアーティスト、影響を受け、コエーリョは、17世紀の最後の偉大なスペインの画家と見なされます。 ファウスティーノコエーリョ、有名なポルトガルの彫刻家の息子は、彼がチャールズIIの宮廷画家であった。彼は司祭と宮廷の肖像画で満たされているエルエスコリアル、の聖具室にいる彼の最も有名な作品で、多くの教会やマドリードの公共の建物に取り組んだ。 クラウディオコエーリョは、ポルトガル語、両親の、小屋は1642年にマドリードで生まれていた。彼はそこにフランシスコRiziで美術の指導を、そしてマドリッドのサンプラ用祭壇ピースその在学中にまだ実行された。宮廷画家と彼の知人、ファンCare...
[Biography - Claudio Coello - 2Ko]