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Portfolio >> Egon Schiele

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  • Egon Schiele - schiele agonia 1912
  • Egon Schiele - Levitation
  • Egon Schiele - Composition with Three Male Figures (Self Portrait)
  • Egon Schiele - Little Girl with Blond Hair in a Red Dress
  • Egon Schiele - Portrait of Dr. Viktor Ritter von Bauer
  • Egon Schiele - Standing Woman in Red
  • Egon Schiele - Standing Male Nude, Back View
  • Egon Schiele - Poldi Lodzinsky
  • Egon Schiele - Semi-Nude Girl, Reclining1911
  • Egon Schiele - Self Portrait 5
  • Egon Schiele - Field of Flowers
  • Egon Schiele - schiele cztery drzewa 1917
  • Egon Schiele - schiele.four-trees
  • Egon Schiele - death and the maiden 191516
  • Egon Schiele - Portrait of Albert Paris von Gutersloh
  • Egon Schiele - Reclining Woman with Red Blouse
  • Egon Schiele - Four Trees
  • Egon Schiele - Landscape at Krumau
  • Egon Schiele - Portrait of Victor Ritter von Bauer
  • Egon Schiele - Yellow City
  • Egon Schiele - Standing Girl, Back View
  • Egon Schiele - agony 1912
  • Egon Schiele - shiele - madre e bambino
  • Egon Schiele - The Holy Family
  • Egon Schiele - Hindering the Artist is a Crime, It is Murdering Life in the Bud!
  • Egon Schiele - Portrait of Eduard Kismack with Raised Left Han
  • Egon Schiele - Reclining Semi-Nude with Red Hat (Gerti Schiele)
  • Egon Schiele - Female Model in Bright Red Jacket and Pants
  • Egon Schiele - Seated Male Nude, right Hand Outstretched
All 383 Artworks from Egon Schiele

Egon Schiele (June 12, 1890 – October 31, 1918) (German pronunciation: , approximately SHEE-luh) was an Austrian painter. A protégé of Gustav Klimt, Schiele was a major figurative painter of the early 20th century.
Schiele's work is noted for its intensity, and the many self-portraits the artist produced. The twisted body shapes and the expressive line that characterize Schiele's paintings and drawings mark the artist as an early exponent of Expressionism, although still strongly associated with the art nouveau movement (Jugendstil).
The most important collection of Schiele's work is housed in the Leopold Museum, Vienna.



Egon Schiele was born in Tulln on the Danube. His father, Adolph Schiele, worked for the Austrian State Railways as a station master; his mother, Marie Soukup(ová), was from Krumau, in Bohemia. As a child, he attended the school run by the Stift Klosterneuburg, where his arts teacher K.L. Strauch recognized and supported Schiele's artistic talent.

Egon Schiele, Self-portrait, 1912When Schiele was 15 years old, his father died from syphilis, and he became a ward of his maternal uncle, Leopold Czihaczec, who became distressed by Schiele's lack of interest in academic studies, yet recognized his passion and talent for art. In 1906 Schiele applied at the Kunstgewerbeschule (School of Arts and Crafts) in Vienna, where Gustav Klimt had once studied. Within his first year there, Schiele was sent, at the insistence of several faculty members, to the more traditional Akademie der Bildenden Künste in Vienna in 1906. There, he studied painting and drawing, but was frustrated by the school’s conservatism. Records show that Adolf Hitler was rejected by the Akademie in 1907; this has led to a misconception that Schiele and Hitler knew each other in Vienna.

Klimt and first exhibitions

In 1907, Schiele sought out Gustav Klimt. Klimt generously mentored younger artists, and he took a particular interest in the gifted young Schiele, buying his drawings, offering to exchange them for some of his own, arranging models for him and introducing him to potential patrons. He also introduced Schiele to the Wiener Werkstätte, the arts and crafts workshop connected with the Secession. In 1908 Schiele had his first exhibition, in Klosterneuburg. Schiele left the Academy in 1909, after completing his third year, and founded the Neukunstgruppe ("New Art Group") with other dissatisfied students.
Sitzender weiblicher Akt, 1914Klimt invited Schiele to exhibit some of his work at the 1909 Vienna Kunstschau, where he encountered the work of Edvard Munch, Jan Toorop, and Vincent van Gogh among others. Once free of the constraints of the Academy's conventions, Schiele began to explore not only the human form, but also human sexuality. At the time, many found the explicitness of his works disturbing.


Some view Schiele's work as being grotesque, erotic, pornographic, or disturbing, focusing on sex, death, and discovery. He focused on portraits of others as well as himself. In his later years, while he still worked often with nudes, they were done in a more realist fashion. He also painted tributes to Van Gogh's Sunflowers as well as landscapes and still lifes.


In 1911, Schiele met the seventeen-year-old Valerie (Wally) Neuzil, who lived with him in Vienna and served as model for some of his most striking paintings. Very little is known of her, except that she had previously modelled for Gustav Klimt and might have been one of his mistresses. Schiele and Wally wanted to escape what they perceived as the claustrophobic Viennese milieu, and went to the small town of Ceský Krumlov (Krumau) in southern Bohemia. Krumau was the birthplace of Schiele's mother; today it is the site of a museum dedicated to Schiele. Despite Schiele's family connections in Krumau, he and his lover were driven out of the town by the residents, who strongly disapproved of their lifestyle, including his alleged employment of the town's teenage girls as models.

Together they moved to Neulengbach, 35 km west of Vienna, seeking inspirational surroundings and an inexpensive studio in which to work. As it was in the capital, Schiele's studio became a gathering place for Neulengbach's delinquent children. Schiele's way of life aroused much animosity among the town's inhabitants, and in April 1912 he was arrested for seducing a young girl below the age of consent.

Die kleine Stadt II. View of Krumau an der Moldau, 1912-1913When they came to his studio to place him under arrest, the police seized more than a hundred drawings which they considered pornographic. Schiele was imprisoned while awaiting his trial. When his case was brought before a judge, the charges of seduction and abduction were dropped, but the artist was found guilty of exhibiting erotic drawings in a place accessible to children. In court, the judge burned one of the offending drawings over a candle flame. The twenty-one days he had already spent in custody were taken into account, and he was sentenced to only three days' imprisonment. While in prison, Schiele created a series of 12 paintings depicting the difficulties and discomfort of being locked in a jail-cell.

Tod und Mädchen (Death and the Maiden), 1915In 1914, Schiele glimpsed the sisters Edith and Adéle Harms, who lived with their parents across the street from his studio in the Viennese suburb of Hietzing, 101 Hietzinger Hauptstrasse. They were a middle-class family and Protestant by faith; their father was a master locksmith. In 1915, Schiele chose to marry the more socially acceptable Edith, but had apparently expected to maintain a relationship with Wally. However, when he explained the situation to Wally, she left him immediately and never saw him again. This abandonment lead him to paint Death and the Maiden, where Wally's portrait is based on a previous pairing, but Schiele's is newly struck. (In February 1915, Schiele wrote a note to his friend Arthur Roessler stating: "I intend to get married, advantageously, perhaps not to Wally.") Despite some opposition from the Harms family, Schiele and Edith were married on 17 June 1915, the anniversary of the wedding of Schiele's parents.


World War I now began to shape Schiele's life and work. Three days after his wedding, Schiele was ordered to report for active service in the army, he was initially stationed in Prague. In the army, Schiele was treated well by officers who respected his artistic talent. He never saw any fighting at the front, and was able to continue painting and sketching while guarding Russian prisoners of war, and doing light guard duties. By 1917, he was back in Vienna, able to focus on his artistic career. His output was prolific, and his work reflected the maturity of an artist in full command of his talents. He was invited to participate in the Secession's 49th exhibition, held in Vienna in 1918. Schiele had fifty works accepted for this exhibition, and they were displayed in the main hall. He also designed a poster for the exhibition, which was reminiscent of the Last Supper, with a portrait of himself in the place of Christ. The show was a triumphant success, and as a result, prices for Schiele's drawings increased and he received many portrait commissions.
Zwei Kleine Mädchen, 1911During the same year, he also had successful shows in Zürich, Prague, and Dresden.

Schiele participated in numerous group exhibitions, including those of the Neukunstgruppe in Prague in 1910 and Budapest in 1912; the Sonderbund, Cologne, in 1912; and several Secessionist shows in Munich, beginning in 1911. In 1913, the Galerie Hans Goltz, Munich, mounted Schiele's first solo show. A solo exhibition of his work took place in Paris in 1914.

In the autumn of 1918, the Spanish flu epidemic that claimed more than 20,000,000 lives in Europe reached Vienna. Edith, who was six months pregnant, succumbed to the disease on 28 October. Schiele died only three days after his wife. He was 28 years old. During the three days between their deaths, Schiele drew a few sketches of Edith; these were his last works.


Schiele has been the subject of a biographical film, Excess & Punishment (aka Egon Schiele Exzess und Bestrafung), a 1980 film originating in Germany with a European cast that explores Schiele's artistic demons leading up to his early death. The film is directed by Herbert Vesely and stars Mathieu Carriere as Egon Schiele with Jane Birkin as his early artistic muse and Christine Kaufman as his wife and Kristina Van Eyck as her sister. As well, his life was represented in a theatrical dance production by Stephan Mazurek called "Egon Schiele", presented in May 1995, for which Rachel's, an American post-rock group, composed a score titled Music for Egon Schiele.

Schiele's life and work have also been the subject of essays, including a discussion of his works by Richard Avedon in an essay on portraiture entitled "Borrowed Dogs." Mario Vargas Llosa uses the work of Schiele as a conduit to seduce and morally exploit a main character in his 1997 novel The Notebooks of Don Rigoberto.

Æon Flux creator Peter Chung's animation style is deeply influenced by Schiele's work.
[Biography - Egon Schiele - 11Ko]
Egon Schiele est un peintre et un dessinateur autrichien né le 12 juin 1890 à Tulln près de Vienne, décédé le 31 octobre 1918 à Vienne. Biographie Il commença à peindre dès 1905, notamment des autoportraits. Son père décéda cette année-là, et son oncle, qui devint son tuteur, tenta de l'orienter vers une carrière dans les chemins de fer. Avec l'acc...
[Biography - Egon Schiele - 6Ko]
Egon Schiele (* 12. Juni 1890 in Tulln an der Donau &dagger 31. Oktober 1918 in Wien) war ein österreichischer Maler des Expressionismus. Er zählt neben Gustav Klimt und Oskar Kokoschka zu den bedeutendsten bildenden Künstlern der Wiener Moderne. Leben Selbstportrait, 1912Als viertes Kind des Tullner Bahnhofsvorstands Adolf Eugen Schiele und sein...
[Biography - Egon Schiele - 6Ko]
Egon Schiele (Tulln, 12 giugno 1890 - Vienna, 31 ottobre 1918) è stato un pittore e incisore austriaco. I primi anni e gli studi viennesi Egon Schiele nasce nel 1890 in una stazione ferroviaria a Tulln, una cittadina nei pressi di Vienna. La città è, alla fine del XIX secolo, un crogiuolo di culture molto diverse tra loro e i movimenti indipendenti...
[Biography - Egon Schiele - 10Ko]
Egon Schiele (AFI) (Tulln, Austria, 12 de junio de 1890 - Viena, 31 de octubre de 1918), fue un pintor austríaco contemporáneo de Gustav Klimt. Fue uno de los alumnos aventajados de Gustav Klimt y junto con Oskar Kokoschka conforman lo que se conoce por expresionismo austríaco. Biografía Su padre era jefe de estación y procedía del norte de Alemani...
[Biography - Egon Schiele - 6Ko]
Эгон Шиле (12 июня 1890 - 31 октября 1918 года) (на немецком языке произношение: около ши-Лух) был австрийским художником. Протеже Густава Климта, Шиле был основным образное художника начала 20 века. Работы Шиле известен своей интенсивности, и многие автопортреты художника производства. Витой формы тела и выразительные линии, которые характеризуют ...
[Biography - Egon Schiele - 10Ko]
埃贡席勒(1890年6月12日 - 1918年10月31日)(德语发音:约SHEE - LUH)是奥地利画家。一个门生的克林姆,席勒是一个重大的形象化的画家在20世纪初。 席勒的工作是指出它的强度,和许多自画像的艺术家制作。扭着身体的形状和特征席勒的绘画和绘图的表现行标记为艺术家的早期表现指数,但仍强烈的新艺术运动(新艺术风格)。 设在维也纳的利奥波德博物馆,席勒的工作最重要的收藏。 传记 教育 Tulln埃贡席勒出生在多瑙河上的。他的父亲,阿道夫席勒,奥地利国家铁路工作作为站主,他的母亲,玛丽Soukup(OVA),在波希米亚,从Krumau。作为一个孩子,他参加了学校运行Stift克洛斯特,他的艺术教师吉隆坡Strauch的认可和支持席勒的艺术人才。 埃贡席勒,自画像,1912When席...
[Biography - Egon Schiele - 4Ko]
Egon Schiele (12 de junho de 1890 - 31 de outubro de 1918) (pronúncia alemã:, aproximadamente SHEE-luh) foi um pintor austríaco. A protegido de Gustav Klimt, Schiele foi um grande pintor figurativo do início do século 20. Trabalho de Schiele é conhecido pela sua intensidade, e os muitos auto-retratos do artista produzido. As formas do corpo torcido...
[Biography - Egon Schiele - 12Ko]
エゴンシーレ(1890年6月12日 - 1918年10月31日)(ドイツ語発音:、約妖精- luh)はオーストリアの画家。グスタフクリムト、シーレのプロテジェは、20世紀初頭の主要な比喩的な画家であった。 シーレの作品は、その強度のために留意し、多くの自画像アーティストが生成されます。依然として強く、アールヌーヴォー運動(ユーゲントシュティール)に関連付けられているものの、ねじれボディ形状とシーレの絵画やデッサンを特徴付ける表現力線は、表現主義の初期の指数としてアーティストをマーク。 シーレの作品の最も重要なコレクションは、レオポルド美術館、ウィーンに収容されています。 バイオグラフィー 教育 エゴンシーレは、ドナウ川にトゥルンで生まれました。彼の父、アドルフシーレは、ステーションのマスター...
[Biography - Egon Schiele - 6Ko]