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Portfolio >> Eugenio Hermoso Martínez

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  • Eugenio Hermoso Martínez - El culumpio
  • Eugenio Hermoso Martínez - La niña llamada La Peseta
  • Eugenio Hermoso Martínez - Su hija Rosarito
  • Eugenio Hermoso Martínez - The girl with yellow scarf
  • Eugenio Hermoso Martínez - Pintor Retratado
  • Eugenio Hermoso Martínez - Tres Desnudos
  • Eugenio Hermoso Martínez - Autorretrato
  • Eugenio Hermoso Martínez - Campesina 1
  • Eugenio Hermoso Martínez - El bano de las zagalas
  • Eugenio Hermoso Martínez - Campesina
  • Eugenio Hermoso Martínez - A la fiesta del pueblo
  • Eugenio Hermoso Martínez - Desnudo de Mujer
  • Eugenio Hermoso Martínez - Museo Arqueologico de Sevilla
  • Eugenio Hermoso Martínez - Mujer con Mantilla
  • Eugenio Hermoso Martínez - Mujer con Plato
  • Eugenio Hermoso Martínez - Bodegon
  • Eugenio Hermoso Martínez - Retrato de Mujer
  • Eugenio Hermoso Martínez - Mujer con fruta
  • Eugenio Hermoso Martínez - Nina de la Sabana
  • Eugenio Hermoso Martínez - Self-portrait
  • Eugenio Hermoso Martínez - La Fiesta
  • Eugenio Hermoso Martínez - Cantando y Bailando
  • Eugenio Hermoso Martínez - La Merendilla
  • Eugenio Hermoso Martínez - Mujer Sentada
  • Eugenio Hermoso Martínez - Ninos en el Campo
  • Eugenio Hermoso Martínez - Niñas en la escuela
  • Eugenio Hermoso Martínez - La Fiesta 1
  • Eugenio Hermoso Martínez - El Nino
  • Eugenio Hermoso Martínez - Nina con Plato
 
All 41 Artworks from Eugenio Hermoso Martínez





Eugenio Hermoso (Fregenal de la Sierra (Badajoz), February 26, 1883 - Madrid, February 2, 1963), Spanish painter, who belonged to the Real Academia de Bellas Artes de San Fernando. Paisano of Benito Arias Montano and Juan Bravo Murillo, sculpted the bust of the famous sixteenth-century humanist is preserved in the Peña de Arias Montano, in the municipality of Alájar, with Aracena in the province of Huelva.

Student Gonzalo Bilbao Sevilla José Jiménez Aranda, in 1901 he moved to Madrid. In 1905 he traveled to Paris where he met the avant-garde. Exhibited in London in 1912. In 1934 in Argentina, Chile and Brazil. Professor at the School of Fine Arts of San Fernando, end their opposition to abstraction is motivated by the importance he gave always the human figure. Using a classical language and iconography of all, went through a personal and unmistakable style of impressionism colorful modernist expressionism early end further exacerbated with the series of paintings titled Nertóbrigas. He taught generations of Spanish artists of the modern experience.

During the Civil War also befriended the painter Fernando Labrada Prieto and Francisco Santos.

In 1904 he won the Bronze medal at the National Exhibition of Fine Arts The girl knitting acquired by the Museum of Cadiz. And he lived in the same pension for several years with Daniel Vázquez Díaz. Had previously attended together in Seville classes Jiménez Aranda, in his study of Triana. Ramiro de Maeztu wrote an article about Eugenio Hermoso titled "A boy of soul."

In 1905 led to the exposure of the Circle of Fine Arts: The College and daughters of the land. Critics Francisco José Alcántara French and then much praised his paintings. He made the portrait of Vázquez Díaz. In their study received and met Juan Gris. Before it and also knows John Doe. This year he traveled to France and Belgium and back to San Sebastian succeeded fully.

Early, at 22, he painted Juma, Raffle and her friends who was second prize at the 1906 National and International Barcelona 1907 and is a first milestone stylistic collects a significant group of early works, but very original: Breakfast, Return to work, the Marocha, Francisco, The girl with the violin. In 1906, moved from Barcelona to Italy: Genoa, Pisa, Rome, Naples, Florence, Venice and Milan, he met the Vatican, the statue of Marcus Aurelius, the portrait of Innocent X by Velazquez, Vesuvius, the ruins of Pompeii, Donatello, Michelangelo and the Plaza de San Marcos.

Rosa, the National Centre de Arte Reina Sofia, was another second prize at the National Exhibition of Fine Arts in 1908. Díez Canedo outlined "the divine simplicity of this picture." And Francisco Alcantara wrote: "Since the seventeenth century has not been seen here similar intensity in the expression of spirit." Julio Romero de Torres was the first Medal with Gypsy Muse.

In 1910 he was given the task of Alfonso XII for his admirable painting Playing the rope and went along with Julio Romero de Torres, Anselmo Miguel Nieto, Lopez and others Mosque International Barcelona, ​​which won a first medal. That same year he participated in the Centennial Exposition of the Independence of Chile with his painting The Merendilla, which was acquired by the Chilean government. His paintings appear, no doubt because, as one of the most personal and distinctive for its time.

The party with the people, the National Centre de Arte Reina Sofía, reached the first National Medal of Arts in 1917, with Joaquín Mir and Valentine Zubiaurre.

Settled permanently in 1918, in Madrid, in a study that takes in Almagro, 14. Already enjoys the friendship and admiration of intellectuals Madrid. Especially that of Ramón del Valle Inclán, becoming part of the gathering night New Lift Coffee, which came the brothers Richard and John Doe, Ignacio Zuloaga, José Gutiérrez Solana, Rafael de Penagos, Anselmo Miguel Nieto, Angel Vivanco, Luis Alemany and many other artists and writers. Participates in a tribute to Antonio Muñoz Degrain in Valle Inclán at Cafe Fornos and which is paid to Encarnación López, La Argentinita.

Maison Doree frequents the café, there is a gathering together modernist composed Jacinto Benavente, Manuel and Antonio Machado, Anselmo Miguel Nieto, Sebastián Miranda, Enrique Gómez Carrillo, Francisco Villaespesa

His first major solo exhibition was in 1922 at the Salon of the Museum of Modern Art in Madrid, with public acclaim and sales and commissions for portraits. In 1926, Eugenio Hermoso won the Gold Medal of the Circulo de Bellas Artes with washers and nudity Melancholy and honeysuckle. Earlier, in 1907 and received 19,011 first medal at the Barcelona International, highlighting also among the Gold Medal awards in painting and sculpture Silver Latin American Exhibition in Seville in 1929.

For the centenary of Arias Montano had modeled the bust of the famous humanist of the sixteenth century. It is the beginning of the phase of the sculptor who continues his self-portrait in bronze and Dina, a model that also appears on Earth, Wildlife and other of his paintings. Also preserves another bronze bust of Rosario Ramos, his wife and her daughter's head, Rosario Hermoso. Of his personal exhibitions held in 1916 highlight in Barcelona in 1922 in the Hall Library and Museum in Madrid in 1927 in Seville and Badajoz. Beginning in 1934 exhibited in Argentina, Chile and Brazil. Before he had in Brussels, Venice and The Hague.

In 1941, he was elected Academician of the Real Academia de Bellas Artes de San Fernando in Madrid, occupying the chair which his teacher in Seville, Gonzalo Bilbao. And as opposed appointed professor at the School of Fine Arts. He devoted his inaugural speech at the Academy a gloss paint Zurbarán. His pedagogical aspect transmitted to generations of Spanish artists of the modern experience, while retaining his painting and his teaching deep-rooted traditional sense. Antonio López Villaseñor, Amalia Garcia del Moral, Sebastián Vázquez García, Timoteo Perez Rubio, José Pérez Jiménez, among his students ...

In 1948, received in battle with Daniel Vázquez Díaz, Medal of Honor from the National Fine Arts Exhibition, which sent two large-format pictures: Altar and La Siembra. The first medal was for his countryman and friend Adelard Covarsí by the hounds of Alpotreque.

Under the pseudonym of Theodore Nertóbriga Francisco published her autobiography in 1955, and signed his satirical paintings.

In 1956, the Diputación de Badajoz organized an exhibition of his work in the Culture House, located in the old seminary of San Anton, and acquired for the Museum of Fine Arts his triptych Arcadia.

Eugenio Hermoso died in Madrid on February 2, 1963. In 1964 he was made a tribute to the retrospective exhibition of his works at the Salón Goya's Círculo de Bellas Artes. In the press, Camon Aznar critic wrote, "an art museum with dignity has entered the consciousness of the past, with the aura of tradition and linked to an aesthetic that is in full force."

In 1955 he was appointed Court jury of the Royal Academy of San Fernando in Madrid for the award engraving of the Academy of Fine Arts in Rome, a task he shares with Vázquez Díaz, Fernando Labrada, Enrique Lafuente Ferrari Valentine Zubiaurre.

Lafuente Ferrari wrote of him: "Painter of his own world, a limited world, but yours, Hermoso not imitate anyone, because his paintings translated into his personal inspiration. And that limitation of his art akin to it unconsciously, born in Extremadura and tied to it all his life, with the painters of that region, Luis de Morales and Zurbaran, with whom he shared an intimate naive, this voluntary closure. When his first paintings reached the Madrid Exhibition caused the surprise of a novelty and attracted the attention of the finest spirits among those who were then interested in the art.

To celebrate its centenary in 1983, the Museum of Fine Arts and the Provincial de Badajoz organized the exhibition: Eugenio Hermoso and the painting of his time, which toured most of Extremadura.

At the Academy of Fine Arts of St. Elizabeth of Hungary in Seville was another exhibition in 1984 with great success with audiences and critics.

The catalog of the exhibition center and periphery in the modernization of Spanish Painting 1880-1918, organized by the Directorate General of Fine Arts of the Ministry of Culture, takes home his painting Children's party

On the occasion of the Universal Exposition in Seville in 1992, again, the Academy of St. Elizabeth of Hungary held a sample of his most representative.

In December 1999/January 2000, organized two exhibitions in the Museums of Badajoz and Caceres, coordinated by the Cultural Department of the Diputación Provincial de Badajoz and Eugenio Hermoso Museum Foundation / Legacy Beautiful Fregenal Rosario de la Sierra .

Its position in twentieth century art is further explained by the importance acquired by the number of portraits he painted of men and women of his land Extremadura. One of the reasons for their opposition to the avant-garde end is Beautiful's insistence on the human figure. As exceptional portrait, created a valuable iconographic gallery, whose contemplation brings us to the lifestyle of the simple people.

In early 1999, and testamentary disposition of his beautiful daughter Rosario Ramos, his heirs bequeathed to the Museum of Fine Arts in Seville three works of Eugenio Hermoso: Portrait of Rosario Hermoso, Piedad Aldeana, stalagmites (nude). It is also in the Museum of Seville Rosa belongs to the Museo Nacional Centro de Arte Reina Sofia in Madrid and was the silver medal at the National Exhibition of Fine Arts in 1908.
[Biography - Eugenio Hermoso Martínez - 11Ko]
Eugenio Hermoso (Fregenal de la Sierra (Badajoz), Février 26, 1883 - Madrid, Février 2, 1963), peintre espagnol, qui appartenait à la Real Academia de Bellas Artes de San Fernando. Paisano de Benito Arias Montano et Juan Bravo Murillo, sculpté le buste du célèbre humaniste du XVIe siècle est conservé dans les Montano Peña de Arias, dans la municipa...
[Biography - Eugenio Hermoso Martínez - 14Ko]
Eugenio Hermoso (Fregenal de la Sierra (Badajoz), 26. Februar 1883 - Madrid, 2. Februar 1963), spanischer Maler, der die Real Academia de Bellas Artes de San Fernando gehörte. Paisano von Benito Arias Montano und Juan Bravo Murillo, sculpted die Büste des berühmten Humanisten des sechzehnten Jahrhunderts wird in der Peña de Arias Montano erhalten, ...
[Biography - Eugenio Hermoso Martínez - 12Ko]
Eugenio Hermoso (Fregenal de la Sierra (Badajoz), 26 febbraio 1883 - Madrid, 2 febbraio 1963), pittore spagnolo, che apparteneva alla Real Academia de Bellas Artes de San Fernando. Paisano di Benito Arias Montano e Juan Bravo Murillo, scolpito il busto del famoso umanista cinquecentesco conservato nella Peña de Arias Montano, nel comune di Alájar, ...
[Biography - Eugenio Hermoso Martínez - 12Ko]
Eugenio Hermoso (Fregenal de la Sierra (Badajoz), 26 de fevereiro de 1883 - Madrid, 02 de fevereiro de 1963), pintor espanhol, que pertencia à Real Academia de Bellas Artes de San Fernando. Paisano de Benito Arias Montano e Juan Bravo Murillo, esculpiu o busto do famoso humanista do século XVI é preservada na Peña de Arias Montano, no município de ...
[Biography - Eugenio Hermoso Martínez - 12Ko]
Eugenio Hermoso (Fregenal de la Sierra (Badajoz), 26 de febrero de 1883 - Madrid, 2 de febrero de 1963), pintor español, que perteneció a la Real Academia de Bellas Artes de San Fernando. Paisano de Benito Arias Montano y Juan Bravo Murillo, esculpió el busto del célebre humanista del siglo XVI que se conserva en la Peña de Arias Montano, en el mun...
[Biography - Eugenio Hermoso Martínez - 13Ko]
Эухенио Эрмосо (Fregenal-де-ла-Сьерра (Бадахос), 26 февраля, 1883 - Мадриде, 2 февраля, 1963), испанский художник, который принадлежал к Реальный Академия изящных искусств де-де-Сан-Фернандо. Paisano Бенито Ариас Монтано и Хуана Браво Мурильо, скульптурные бюст известного шестнадцатого века, гуманист сохраняется в Пенья-де Ариас Монтано, в муниципа...
[Biography - Eugenio Hermoso Martínez - 11Ko]
欧金尼奥Hermoso(Fregenal DE LA塞拉利昂(巴达霍斯),1883年2月26日 - 马德里2月2日,1963年),西班牙画家,属于实时学术界Bellas Artes酒店 - 圣费尔南多。 Paisano贝尼托阿里亚斯蒙塔诺和胡安布拉沃穆里略,雕刻著名的16世纪的人文主义的半身像是保存在培尼亚DE阿里亚斯蒙塔诺,Alájar直辖市,韦尔瓦省阿拉塞纳。 学生贡萨洛毕尔巴鄂塞维利亚何希门尼斯阿兰达,在1901年他移居到马德里。 1905年他前往巴黎,他在那里会见了前卫。 1912年在伦敦展出。在1934年在阿根廷,智利和巴西。圣费尔南多美术学院教授,​​最终他们反对抽象的动机的重要性,他总是给人类的图。使用古典语言和所有的意象,经历了印象派丰富多彩的早期现代主义的表现,进一步加剧了...
[Biography - Eugenio Hermoso Martínez - 5Ko]
リアルアカデミアデラBellas Artesのデサンフェルナンドに属し、スペインの画家、 - エウHermoso(マドリッド、1963年2月2日Fregenalデラシエラ(バダホス)2月26、1883)。ニートアリアスモンターノとフアンブラボームリーリョの同郷の友、彫刻で有名な16世紀のヒューマニストの胸像は、ウエルバの省のアラセナで、Alájarの自治体では、ペーニャデアリアスモンターノで保存されています。 学生ゴンサロビルバオセビージャのホセヒメネスアランダは、1901年に彼はマドリードに移動。 1905年に彼は前衛的に会ったパリを訪れた。 1912年にロンドンで展示。アルゼンチン、チリとブラジルで1934年に。サンフェルナンドの美術学校教授、抽象化に反対を終了するが、彼は常に人間の姿を...
[Biography - Eugenio Hermoso Martínez - 6Ko]
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