+ 1 (707) 877-4321
+ 33 977-198-888
English
Français
Deutsch
Italiano
Español
Русский
中国
Português
日本

Portfolio >> Victor Vasarely

FREE Shipping. FREE Returns All the time. See details.

 

  • Victor Vasarely - Opus 2604
  • Victor Vasarely - Vga 222
  • Victor Vasarely - Abstract Composition 22
  • Victor Vasarely - Felemash
  • Victor Vasarely - Circles In Perspective
  • Victor Vasarely - SIR-RIS-B
  • Victor Vasarely - Olla
  • Victor Vasarely - Ond-bv
  • Victor Vasarely - Untitled 16
  • Victor Vasarely - Arcturus II
  • Victor Vasarely - Zebras (full body black on white)
  • Victor Vasarely - Abstract composition 9
  • Victor Vasarely - Zebras (heads white on black)
  • Victor Vasarely - Zirza, A Tapestry Designed By Victor Vasarely For Tabard, Aubusson
  • Victor Vasarely - Two Tigers (orange)
  • Victor Vasarely - ORION-MC
  • Victor Vasarely - Yapoura
  • Victor Vasarely - Deudell
  • Victor Vasarely - Folkokta 1
  • Victor Vasarely - Hoonan-C
  • Victor Vasarely - Meez
  • Victor Vasarely - Proton Iii
  • Victor Vasarely - E-Vert-Rouge
  • Victor Vasarely - Granat Positif
  • Victor Vasarely - Quadrature ''X''
  • Victor Vasarely - Quasor-paal-2
  • Victor Vasarely - Tavoll-Rouge
  • Victor Vasarely - Beryll II
  • Victor Vasarely - DVA-DVA
  • Victor Vasarely - Globe
 
All 680 Artworks from Victor Vasarely





Victor Vasarely, born Hungarian: Vásárhelyi Gyozo (9 April 1906, Pécs - 15 March 1997, Paris) was a Hungarian French artist whose work is generally seen aligned with Op-art. Zebra, created by Vasarely in the 1930s, is considered by some to be one of the earliest examples of Op-art. Vasarely died in Paris in 1997.

Life and work

Vasarely was born in Pécs and grew up in Pieštany (then Pöstyén) and Budapest where in 1925 he took up medical studies at Budapest University. In 1927 he abandoned medicine to learn traditional academic painting at the private Podolini-Volkmann Academy. In 1928/1929, he enrolled at Sándor Bortnyik's muhely (lit. "workshop", in existence until 1938), then widely recognized as the center of Bauhaus studies in Budapest. Cash-strapped, the muhely could not offer all that the Bauhaus offered. Instead it concentrated on applied graphic art and typographical design.

In 1929 he painted his Blue Study and Green Study. In 1930 he married his fellow student Claire Spinner (1908-1990). Together they had two sons, Andre and Jean-Pierre. In Budapest, he worked for a ball-bearings company in accounting and designing advertising posters. Victor Vasarely became a graphics designer and a poster artist during the 1930’s who combined patterns and organic images with each other.

Outdoor Vasarely artwork at the church of Pálos in PécsVasarely left Hungary and settled in Paris in 1930 working as a graphic artist and as a creative consultant at the advertising agencies Havas, Draeger and Devambez (1930-1935). His interactions with other artists during this time were limited. He played with the idea of opening up an institution modeled after Sándor Bortnyik's muhely and developed some teaching material for it. Having lived mostly in cheap hotels, he settled in 1942/1944 in Saint-Céré in the Lot département. After the Second World War, he opened an atelier in Arcueil, a suburb some 10 kilometers from the center of Paris (in the Val-de-Marne département of the Île-de-France). In 1961 he finally settled in Annet-sur-Marne (in the Seine-et-Marne département).

Over the next three decades, Vasarely developed his style of geometric abstract art, working in various materials but using a minimal number of forms and colours:

1929-1944: Early graphics: Vasarely experimented with textural effects, perspective, shadow and light. His early graphic period results in works such as Zebras (1937), Chess Board (1935), and Girl-power (1934).

1944-1947: Les Fausses Routes - On the wrong track: During this period, Vasarely experimented with cubistic, futuristic, expressionistic, symbolistic and surrealistic paintings without developing a unique style. Afterwards, he said he was on the wrong track. He exhibited his works in the gallery of Denise René (1946) and the gallery René Breteau (1947).

Writing the introduction to the catalogue, Jacques Prévert placed Vasarely among the surrealists. Prévert creates the term imaginoires (images + noir, black) to describe the paintings. Self Portrait (1941) and The Blind Man (1946) are associated with this period.


1947-1951: Developing geometric abstract art (optical art): Finally, Vasarely found his own style. The overlapping development are named after their geographical heritage. Denfert refers to the works influenced by the white tiled walls of the Paris Denfert - Rochereau metro station. Ellipsoid pebbles and shells found during a vacation in 1947 at the Breton coast at Belle Île inspired him to the Belles-Isles works. Since 1948, Vasarely usually spent his summer months in Gordes in Provence-Alpes-Côte d'Azur. There, the cubic houses led him to the composition of the group of works labelled Gordes/Cristal. He worked on the problem of empty and filled spaces on a flat surface as well as the stereoscopic view.


Tribute to Malevitch (1954), Ciudad Universitaria de Caracas1951-1955: Kinetic images, black-white photographies: From his Gordes works he developed his kinematic images, superimposed acrylic glass panes create dynamic, moving impressions depending on the viewpoint. In the black-white period he combined the frames into a single pane by transposing photographies in two colours. Tribute to Malevitch, a ceramic wall picture of 100 m² adorns the University of Caracas, Venezuela which he co-designed in 1954 with the architect Carlos Raúl Villanueva, is a major work of this period. Kinetic art flourished and works by Vasarely, Calder, Duchamp, Man Ray, Soto, Tinguely were exhibited at the Denise René gallery under the title Le Mouvement (the motion). Vasarely published his Yellow Manifest. Building on the research of constructivist and Bauhaus pioneers, he postulated that visual kinetics (plastique cinétique) relied on the perception of the viewer who is considered the sole creator, playing with optical illusions.


1955-1965: Folklore planétaire, permutations and serial art: On 2 March 1959, Vasarely patented his method of unités plastiques. Permutations of geometric forms are cut out of a coloured square and rearranged. He worked with a strictly defined palette of colours and forms (three reds, three greens, three blues, two violets, two yellows, black, white, gray; three circles, two squares, two rhomboids, two long rectangles, one triangle, two dissected circles, six ellipses) which he later enlarged and numbered. Out of this plastic alphabet, he started serial art, an endless permutation of forms and colours worked out by his assistants. (The creative process is produced by standardized tools and impersonal actors which questions the uniqueness of a work of art.) In 1963, Vasarely presented his palette to the public under the name of Folklore planetaire.


1965-: Hommage à l'hexagone, Vega: The Tribute to the hexagon series consists of endless transformations of indentations and relief adding color variations, creating a perpetual mobile of optical illusion. In 1965 Vasarely was included in the Museum of Modern Art exhibition "The Responsive Eye," created under the direction of William C. Seitz. His Vega series plays with spherical swelling grids creating an optical illusion of volume. In October 1967, designer Will Burtin invited Vasarely to make a presentation to Burtin's Vision ’67 conference, held at New York University.


On 5 June 1970, Vasarely opened his first dedicated museum with over 500 works in a renaissance palace in Gordes (closed in 1996). A second major undertaking was the Foundation Vasarely in Aix-en-Provence, a museum housed in a distinct structure specially designed by Vasarely. It was inaugurated in 1976 by French president Georges Pompidou. Sadly the museum is now in a state of disrepair, several of the pieces on display have been damaged by water leaking from the ceiling. Also, in 1976 his large kinematic object Georges Pompidou was installed in the Centre Pompidou in Paris and the Vasarely Museum located at his birth place in Pécs, Hungary, was established with a large donation of works by Vasarely. In 1982 154 specially created serigraphs were taken into space by the cosmonaut Jean-Loup Chrétien on board the French-Soviet spacecraft Salyut 7 and later sold for the benefit of UNESCO. In 1987, the second Hungarian Vasarely museum was established in Zichy Palace in Budapest with more than 400 works.


He died in Paris on 15 March 1997.

[Biography - Victor Vasarely - 9Ko]
Victor Vasarely, de son vrai nom Vásárhelyi Gyozo (9 avril 1908-15 mars 1997) est un plasticien, reconnu comme étant le père de l'art optique ou Op art. Biographie Né à Pécs en Hongrie, il suivit une formation en médecine, qu'il quitta au bout de deux ans. Il s'intéressait alors à l'art abstrait et à l'enseignement du Bauhaus au “Muhely” de Budapes...
[Biography - Victor Vasarely - 3Ko]
Victor Vasarely (ungarisch: Vásárhelyi Gyozo * 9. April 1906 in Pécs &dagger 15. März 1997 in Paris) war ein französischer Maler und Grafiker ungarischer Abstammung. Er lebte seit 1930 in Paris. Vasarely prägte die künstlerische Richtung Op Art und gilt als berühmtester Vertreter dieser Richtung in der Welt. Sein erstes großes Werk Zebra gilt he...
[Biography - Victor Vasarely - 5Ko]
Victor Vasarely (Pécs, 9 aprile 1906 - Parigi, 15 marzo 1997) è stato un pittore e grafico ungherese. è stato il fondatore del movimento artistico dell'Op art, sviluppatosi negli anni '60 e '70 e, insieme a Bridget Riley, il principale esponente. Biografia Il giovane Vasarely Vasarely trascorre l'infanzia nel suo paese natale, e a 12 anni manifesta...
[Biography - Victor Vasarely - 9Ko]
Vásárhelyi Gyozo, mayormente conocido como Víctor Vasarely (Pécs, Hungría, 9 de abril de 1908 - Francia, 15 de marzo de 1997) fue un artista al que se ha considerado a menudo como el padre del Op Art. Obra de Vasarely expuesta en HungríaComenzó a estudiar medicina en Hungría, pero dejó la carrera al cabo de dos años. Se interesó entonces por el art...
[Biography - Victor Vasarely - 3Ko]
Виктор Вазарели, родился венгерский: Vásárhelyi Gyozo (9 апреля 1906 года, Печ - 15 марта 1997, Париж), французский венгерский художник, чьи работы, как правило, рассматривается в соответствие с оп-арта. Zebra, созданная Вазарели в 1930 году, как полагают некоторые, чтобы быть одним из ранних примеров оп-арта. Вазарели умер в Париже в 1997 году. Жи...
[Biography - Victor Vasarely - 9Ko]
胜者Vasarely,生于匈牙利:瓦沙尔海伊Gyozo(4月9日1906年,佩奇 - 1997年3月15日,巴黎)是一位匈牙利的法国艺术家,他的工作通常被认为与作品的艺术对齐。斑马在20世纪30年代创建的,由Vasarely,有些人认为是欧普艺术的最早的例子之一。 vasarely于1997年在巴黎去世。 生活和工作 出生在佩奇vasarely和长大在Piestany(当时Pöstyén)和布达佩斯在1925年,他在布达佩斯大学的医学研究。 1927年,他放弃了医药私营Podolini福克曼学院学习传统的学术绘画。在1928年/ 1929年,他就读在桑德尔Bortnyik的muhely(上海“作坊式”的存在,直到1938年,),然后广泛认可包豪斯研究中心在布达佩斯。囊中羞涩,muhely无法...
[Biography - Victor Vasarely - 4Ko]
Victor Vasarely, nascido húngaro: Vasarhelyi Gyozo (9 de Abril de 1906, Pécs - 15 de Março de 1997, Paris) foi um artista húngaro francês cuja obra é considerada geralmente alinhado com Op-art. Zebra, criado por Vasarely na década de 1930, é considerado por alguns como um dos primeiros exemplos de Op-art. Vasarely morreu em Paris em 1997. Vida e ob...
[Biography - Victor Vasarely - 10Ko]
ハンガリー生まれのヴィクトルヴァザルリ:VásárhelyiGyozoは(1906年4月9日、ペーチ - 1997年3月15日、パリ)その作品は一般にオペアンプアートを整列見られているハンガリーのフランス人アーティストであった。 1930年代にヴァザルリによって作成されたシマウマは、オペアンプの芸術の最も早い例の一つであると一部で考えられている。ヴァザルリは1997年にパリで死亡した。 生活と仕事 ヴァザルリペーチで生まれ、1925年に彼はブダペスト大学で医学研究を取り上げたピエシチャニー(当時Pöstyén)とブダペストで育った。 1927年に彼はプライベートPodolini· フォルクマンアカデミーで伝統的なアカデミックな絵画を学ぶために医学を断念した。 1928/1929年...
[Biography - Victor Vasarely - 5Ko]
EMAIL- EMAIL- EMAIL- EMAIL- EMAIL- EMAIL